<p>After years of starring in rap-music lyrics and videos, "bling" is losing its ring.</p><p>The recession is cramping the style of hip-hop artists and wannabes -- many of whom are finding it difficult to afford the diamond-encrusted pendants and heavy gold chains they have long used to project an aura of outsized wealth.</p><p>In an attempt to keep up appearances, celebrity jewelers say rappers are asking them to make medallions with less-precious stones and metals. Some even whisper that the artists have begun requesting cubic zirconia, the synthetic diamond stand-in and QVC staple.</p><p>Hip-hop luminaries with the cash to keep it real are appalled. Bling aficionados fret that the art of "ice" is being watered down.</p><p>Rapper 50 Cent has relished the chance to accuse his musical adversaries of not glittering like gold. During a radio interview, the artist, whose real name is Curtis James Jackson III, taunted rapper Rick Ross for wearing faux and rented jewelry. "Everything that you see has to absolutely be fake," said Mr. Jackson. Rick Ross, whose real name is William Leonard Roberts II, has denied the claims. Mr. Jackson didn't return requests for comment.</p><p>"A lot of these rappers simply don't have the money for real stuff anymore," says Jason Arasheben, who crafts custom jewelry for wealthy clientele, including Saudi royals and Hollywood movie stars, at his California boutique called Jason of Beverly Hills. "It's to the point where they are wearing imitation jewelry, and that's ridiculous."</p><p>Mr. Arasheben designed the colossus of hip-hop jewels three years ago for rapper Lil Jon: an enormous gold necklace that spells out "CRUNK AIN'T DEAD" with 3,756 round-cut white diamonds (Crunk is a southern rap subgenre that Lil Jon -- real name, Jonathan Mortimer Smith -- has struggled to keep alive). The neck-straining piece, which weighs more than five pounds, was recognized in 2007 by Guinness World Records as the largest diamond pendant on Earth.</p><h6>'Big, Chintzy Junk'</h6><p>He also fashioned a pendant in the image of headphones bedecked in black and white diamonds a few years ago for rapper Biz Markie, whose whimsical jewelry hailed from a less self-conscious era in rap. The rapper -- whose real name is Marcel Theo Hall -- says he is saddened to see newer rappers favor big, chintzy junk over smaller jewels that illuminate personality.</p><p>"When I was wearing a big rope, it was a symbol that I was one of the elite," says Mr. Hall, whose 1990 hit "Just a Friend" is enjoying a renaissance on iTunes after being featured in a Heineken beer television ad. "These kids think size matters, but they be lyin'. It just makes them look silly."</p><p>Both Mr. Smith and Mr. Hall had planned to sell their pieces for charity last fall in an auction titled "Hip Hop's Crown Jewels." But in a sign of bling's fading shine, Phillips de Pury & Co. postponed the auction to March and then canceled it altogether due partly to insufficient interest from buyers.</p><p>From the dawn of rap music three decades ago, hip-hop artists have festooned themselves with gaudy ornaments to signify that they have risen above humble origins to become ghetto royalty.</p><p>English-American trailblazer Slick Rick sported a diamond-studded eye patch, portraying himself as the "Black Liberace," while the three members of Queens, N.Y.-based Run-D.M.C. rocked gold rope chains that seemed thick enough to hold a real anchor.</p><p>To be sure, phony or inferior ice has been around as long as rappers' traditional standard gear of two-turntables-and-a-microphone. But with Internet piracy cutting into musicians' record sales and the recession shrinking attendance for live shows, jeweler
Comments